Saturday, August 14, 2010

Amitav Ghosh's The Hungry Tide

To me, The Hungry Tide, came across as a manifesto of complex relationships we human beings form with each other and also with, nature and its fury, as the circumstances unfold. Portrayal of intricacy through each characters ambition seems like Ghosh's proficiency he was born with which he uses with supreme poetic and romantic yet remains somewhat mellow in approach.

The backdrop, a vast archipelago of islands, the Sundarbans. Characters, Piyali Roy mostly referred as Piya, a scientist who hails from Seattle and comes looking in Lusibari (evolved from Lucy's abode) for rare kind of dolphins and not looking for love, at least, that's what she thinks. Kanai Dutt, a Delhi based businessman, who comes to Lusibari at a request by Nilima to fetch a packet written by her husband Nirmal and has been instructed to be given to Kanai only. And finally, Fokir, an illiterate man but who possesses deep unique knowledge of river and wildlife like no one else does. Fokir, rarely, almost never speaks directly to readers, since he only speaks Bengali and his words are often translated to Piya and others and thus to us readers. Yet, he manages to bind you with an emotional and enduring sympathic bond since not many understand his fiercely true soul. He, with his depth of knowledge and integrity to his work, persuade you that being truly adept and deeply involved in your field of work knows no barriers. His impassioned connection to the river, tides, wildlife have a spellbinding impact throughout his presence and even in his absence towards the end of the novel.

Once, during a conversation with Kanai, Fokir tells him, "truly honest people have no fears and have nothing to worry about." And this captures the essence of his character and his superiority over worldly matters and Kanai. who is once described in Nilima, an elderly and experienced woman's words,

"Kanai's problem is that he's always been too clever for his own good. Things have come very easily to him so he doesn't know what world is like for most people." Piya could see that the judgment was both shrewd and accurate but she knew it was not her place to concur. Nilima said, "Just a word of warning, my dear- fond as I am of my nephew, I feel I should tell you that that he's one of those men who liked to think of himself as being irresistible to the other sex."

To Kanai, Fokir once explains his inexplicable bond that he had and still has with his mother. To a nonplussed Kanai, a question like, "where do you see her face?" seems really appropriate. To which Fokir simplistic response says it all.
"He smiled and began to point in every direction. Here, here, everywhere. The phrasing of this was simple to point of being childlike and it seemed to Kanai that he had finally understood why Moyna (Fokir's wife) felt to deeply tied to her husband, despite everything. There was something about him that was utterly unformed, and it was this very quality that drew her to him: She craved it in the same way that a potter's hands might crave the resistance of unshaped clay."
The Hungry Tide has much to be cherished for its words craft and few things that cannot be captured in words, all said and set in a world away from this industrialized world which is again not devoid of multiple layers of human emotions. In his own words, Ghosh tells us, that words are like the winds that blow ripples on the water's surface. The river itself flow beneath, unseen, and unheard.

2 comments:

Niranjan said...

Thanks for the review! Haven't read any of Amitav Ghosh's book, and am tempted to pick this one up.

Pallavi said...

The Glass Palace is more acclaimed of his work is what I have read.